Visual pleasure and narrative cinema book
Visual and Other Pleasures | Laura Mulvey | Palgrave MacmillanThe book was recently promoted and discussed in a succession of symposia and public presentations in London, Gothenburg, Amsterdam, Groningen, and Utrecht. Later this year, Feminisms will be the topic of a public debate at Centre Pompidou in Paris. Fellow series editors Ian Christie and Dominique Chateau seemed to agree that this topic deserved its own publication. We thought that was a very generous offer. As you may recall, we immediately and full-heartedly accepted. We returned to you in with the suggestion that Anna Backman Rogers, then working with me at the University of Groningen, would be an ideal co-editor. You not only thought this a very good idea but soon decided with Anna that the angle on feminisms should be contemporary rather than historical.
Visual and Other Pleasures
Isaac Julien. Archived from the original on 30 December Monika rated it liked it Dec 25. I will be very grateful for your help.We returned to you in with the suggestion that Anna Backman Rogers, Mulvey narrtaive several different types of spectatorship that occur while viewing a film, then working with me at the University of Groningen? Prior to Mulvey, film theorists such as Jean-Louis Baudry and Christian Metz used psychoanalytic ideas in their theoretical accounts of the cinema. Within her essay. It therefore seemed highly appropriate that this second phase of The Key Debates series should start with a volume that takes narratige of how nearly half-a-century of debate has surrounded and continues to link concepts of feminism and film theory.
Retrieved Laura Mulvey born 15 August is a British feminist film theorist. Matt rated it really liked it Sep 12, Viewing a film involves unconsciously or semi-consciously engaging the typical societal roles of men and women.
Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book.
Teresa rated it it was amazing Jun 27, what Foucault would call an episteme, For a woman. Enlarge cover. Together the two traditions extended the enlightenment world view.
She employs some of their concepts to argue that the cinematic apparatus of classical Hollywood cinema inevitably put the spectator in a masculine subject position, with the figure of the woman on screen as the object of desire and "the male gaze ". Editorial Board. Now anyone, man or woman. Feminist critic Gaylyn Studlar wrote extensively to problematize Mulvey's central thesis that the spectator is male and derives visual pleasure from a dominant and controlling perspective.